Since this one's a Bank Holiday weekend in the UK I feel something special is called for in the 'funk in here' zone.
I know many of you dug the posts here from Bobby Womack's legendary Poet album and because I love ya each and every one I thought some stuff from the snappily named 1984 follow up Poet II would set your break up nicely.
Like Marvin Gaye's Here My Dear this was a 'contractual obligation' album. Womack had wound up in a dispute over royalty payments with Otis Smith, the founder of the indie label on which The Poet had been released, and the settlement required the release of one more album. Rather than deliberately sabotage the project with mediocre songs, or use it to detail bitter recriminations and hurt as Gaye had done (HMD being the divorce settlement for Motown boss Berry Gordy's daughter Anna), Womack plumped to make an album that would replicate the success of its predecessor, consolidate his new-found critical and commercial position and ensure all the major labels would trip over themselves to sign him. And so it came to pass. Aside from a couple of duets with Patti Labelle that don't quite come off (and don't get me wrong, I love her voice, I'd just prefer to hear these songs sung solo by Womack) it's a cracker - with Womack's voice rawer and the total sound at times even punchier (because of, or despite, synths?) than Poet.
My advice for tonight is to crack open a cold one and if you're cooking, add Tabasco.
Bobby Womack- 'Tryin' To Get Over You' (1984)
Bobby Womack - 'Tell Me Why' (1984)
Bobby Womack - 'Surprise, Surprise' (bonus track - acoustic re-recording 1998)
(Buy Poet II)
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In other news this week...
Emmett and the guys at the quite brilliant Art Decade announced they were taking a month's sabbatical. Since AD is a blog I visit daily, and since I always find something startling, wonderful, funny, unusual, unpredictable or brilliant there, and sometimes something that is all of these things at once, I will miss their posts madly. My consolation is that if the guys have a month free from blogging they will have more time than ever to rummage New York City's racks of lost vinyl and that we will all be the richer for it when they return.
Emmett posted a comment here to tell me that the John Barry tune I'd uploaded got iPod-shuffled at him on the New York subway: since the piece was entitled 'Nocturnal New York' this seemed rather wonderful. Myself, I spent a blissful hour cooking in my SW London kitchen a while back whilst groovin' to Jack McDuff tracks that Emmett had ripped from second-hand vinyl bought that afternoon on the streets of New York....
Isn't this blogging thing FAB?
In other news this week...
Emmett and the guys at the quite brilliant Art Decade announced they were taking a month's sabbatical. Since AD is a blog I visit daily, and since I always find something startling, wonderful, funny, unusual, unpredictable or brilliant there, and sometimes something that is all of these things at once, I will miss their posts madly. My consolation is that if the guys have a month free from blogging they will have more time than ever to rummage New York City's racks of lost vinyl and that we will all be the richer for it when they return.
Emmett posted a comment here to tell me that the John Barry tune I'd uploaded got iPod-shuffled at him on the New York subway: since the piece was entitled 'Nocturnal New York' this seemed rather wonderful. Myself, I spent a blissful hour cooking in my SW London kitchen a while back whilst groovin' to Jack McDuff tracks that Emmett had ripped from second-hand vinyl bought that afternoon on the streets of New York....
Isn't this blogging thing FAB?
yes.
ReplyDeleteThanks for the kind words, Dave. I'm happy to report that another Jack McD. album has been purchased from another itinerant street vendor, so that will be coming down the pike in Art Decade Mark II. Brace yourself!
ReplyDeleteYay! So already the break is proving productive...!
ReplyDeleteThanks for these, especially love "Tell Me Why". So of its time (the synthetic 80s!) but with Bobby's voice - and lyrics - the whole thing works a treat. I missed this album first time round, about that time for me music seemed to take a back seat for a while - must have been all those synths.
ReplyDeleteThanks for the comment Darcy.
ReplyDeleteMmm yes, that raw soul voice sure cuts through all that 80s production doesn't it? I like the odd synth now and again - not always in my soul music mind...